“Sound, Space, Gravity: A Kaleidoscopic Hearing (part I),” The New Soundtrack 6.1 (2016).

“Sound, Space, Gravity: A Kaleidoscopic Hearing (part II),” The New Soundtrack 6.2 (2016).

“Marguerite Duras’s Aural World,” in In the Dark Room of Marguerite Duras. ed. Rosanna Maule and Julie Beaulieu, Peter Lang (2008).

“A Study of the mise-en-son of India Song”, Music, Sound and the Moving Image. Vol. 1, No. 2 (Winter), 2007.

Camera Movement in Max Ophuls’s Films

Divas, Turks and HAL: Reflecting on the History of Voice Machines

In Praise of Laconic Cinema or, Films that don’t Talk

Tabwriting and the Future of Writing Technologies

Book Review of Slowik, Michael. After the Silents : Hollywood Film Music in the Early Sound Era, 1926- 1934 (Columbia University Press, 2014)

Seymour Papert, Mindstorms: Children, Computers, and Powerful Ideas (forthcoming)

Fareed Zakaria, In Defense of a Liberal Education, New Star Press, 2015

Ryan Pierson, “Whole Screen Metamorphsis and the Imagined Camera,” Film Art (2015, no. 6)

Evan Osnos, “Reds: the creation of a wine-loving class” Duku (Jan 2011) from The New Yorker (Nov 23, 2009)

Henry David Thoreau, Walden, NanJing: Yilin Press, 2009

Peter Hessler, “The Home Team,” Duku (May 2009) from The New Yorker (Sep 15, 2008)

Peter Hessler, “Wheels of Fortune,” Duku (Aug 2008), from The New Yorker (Nov 26, 2007)

The World Heard: Sound, Film Theory and the Cinematic Experience, 2015 University of Chicago

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